Religion

Chiang Mai’s Silver Temple

Some authors like to start out with a quote, but instead, I’m going to start this one with a couple of not-so-random facts.

  1. There are over three hundred ‘wats’ (temples) in Chiang Mai.

  2. There are more places of worship per capita in Chiang Mai than anywhere else in Thailand. 

  3. Many, if not most of the temples in the area date between the 13th and 18th Centuries. 

It goes without saying that there is a lot to see and do while visiting Thailand’s ‘northern capital’, but it shouldn’t really surprise anyone that one of the most popular activities for tourists is checking out some of the hundreds of temples in and around the city. 

Sure, you can head to the night markets, eat amazing Northern-Thai cuisine and explore the beautiful streets of the ancient kingdom-turned-city, but lets face it, foreigners and locals alike are always going to be attracted to the giant ‘wats’ that you’ll find throughout the city and the countryside that surrounds it. 

And with over three-hundred to choose from (and limited time), you’re going to have to choose wisely. 

Obviously, almost everyone will find themselves checking out Wat Chedi Luang - It is after all one of the most important and historic places of worship in Thailand, and its conveniently located in the dead-centre of town. 

Then there’s Wat Phra That Doi Suthep, the most popular and highly-revered temple in town, which also involves an exciting excursion into the mountains. 

Fortunately there are quite a few resources online in the form of ‘top ten’ lists that introduce some of the most interesting places of worship in the area and are helpful for making decisions about which ones to visit during your stay.

Link: 10 Must-See Temples in Chiang Mai | Top 10 must-visit temples in Chiang Mai

When it comes to this kind of thing, I’m not really your average tourist.

Sure, I’ll check out some of the most popular wats, but I’m also going to reserve some of my time to check out some of the obscure ones too.

And you’ll have to forgive me if I’m wrong, but I don’t think there are any that are more obscure than Wat Sri Suphan, more commonly referred to as Chiang Mai’s Silver Temple. 

You’re not likely to find any other places of worship in the area that look like they’ve been covered in layers of tinfoil and have your favourite Marvel superheroes etched on the walls.

Before I start though, its likely that some readers will feel somewhat overwhelmed with all the local terms that you’ll come across below. If thats the case, never fear, there’s a helpful glossary of terms that should help explain what you’ll find at Chiang Mai’s places of worship. 

Link: A glossary of Thai Temple terms in 75 temples of Chiang Mai’s Old Town 

Wat Sri Suphan  (วัดศรีสุพรรณ) 

The Haiya (หายยา) subdistrict, located just south of Chiang Mai’s historic quarter is a residential area that is known for its traditional silver workshops, which produce and sell artisan jewelry and ornaments.

When you build a temple in a neighbourhood famed for its silver craftsmanship, it probably only makes sense that you show off what you’re best known for, right?

Well, that wasn’t always the case. 

Wat Sri Suphan was originally established in 1502 during the reign of King Mueangkaeo of the Lanna Kingdom’s Mangrai Dynasty.

In the five centuries since, the wat has been rebuilt on several occasions, leaving very little evidence of the original. 

Before I go into much detail about the temple, I think it’s important to note that while “Wat Sri Suphan” is generally referred to as “The Silver Temple” in English, the “silver” part is actually only a small piece of a large complex that includes a much larger viharn (worship hall), residences and some other buildings. 

The silver ubosot (ordination hall) part of the complex, which has become Wat Sri Suphan’s claim to fame in recent years, is a recent addition and was actually only completed in 2004.

What I’m getting at here is that while locals refer to this place of worship by its formal name, tourists are almost always going to call it, “The Silver Temple.” 

It probably doesn’t really matter what tourists call it in English, but I think in some cases (admittedly I was originally under this impression too) people come looking for the Silver Ubosot and leave completely unaware of the actual historic and (arguably) more important parts of the temple.       

Wat Sri Suphan Viharn 

The grand viharn may not be as snazzy or attractive as the Silver Ubosot next door, but that doesn’t change the fact that it is the most significant building at Wat Sri Suphan and dates back more than two centuries, making it the oldest building on site.

The sad thing about this is that it is often overlooked by tourists who know very little about it (few articles online talk about it) or even bother to check it out while visiting, which is why I’ve elected to talk a little about it before I go into detail about the Silver Temple. 

The large Lanna-style viharn features an impressive overlapping four-tiered roof with “Naga” serpents along the gables and “Garuda” chofas at the apex of each of the four tiers.

The building doesn’t have a hint of silver on the exterior and is instead a beautiful mixture of gold and red with an umbrella finial at the top. 

The entrance is guarded by two of the most impressive naga serpents (that I saw while) in Chiang Mai with some green-skinned Yaksa guardians standing behind them.

Similar to the exterior, the interior of the building is finished almost entirely in red with only the upper parts of the walls, window shutters and columns decorated with golden patterns.

As is the case with a lot of Thai temples, you’ll find images of the Buddha’s life on the walls of the viharn, but in this case those traditional images have been replaced by silver panels that have been beautifully designed by local artisans.

The main altar in the viharn is a beautiful golden shrine that has a large Buddha, with three smaller statues surrounding him, all of which were crafted in the Northern Thai Chiang Saen style.

The interior of the viharn is quite simple, so it shouldn’t take too much time to check it out - but you should most definitely check it out if you are visiting the area.  

Interestingly, while inside the viharn, one of the monks noticed that we had Taiwan-related pins on our bags and asked us if we were visiting from Taiwan. Coincidentally he had lived in the country for quite a while before heading to Thailand to become a monk.

We sat down and had a long chat with him in Mandarin while he braided a couple of bracelets for us, which was quite nice.

The “Silver Temple” 

The “Silver Temple” is a modern interpretation of a traditional Thai Ubosot and is the most recent addition to the larger Wat Sri Suphan complex.

Even though it is a modern interpretation and was constructed using precious metals, its important to note that the building keeps with local tradition and makes use of the beautiful Lanna-style architecture that Chiang Mai is well-known for.

Construction on the ubosot started in 2004 under the direction of the abbot Phra Kru Phithatsuthikhun and was completed over a decade later in 2016. Just in time to be dedicated on the 720th anniversary of the founding of the city. 

While not particularly a large building, the time it took to construct it shouldn’t really surprise you. It took a large team of silver craftsman to mould the silver into the beautiful work of art that you see today.

It also required a significant amount of donations. 

Once completed, over 35,152,314 baht, equal to about $1,000,000 USD was spent constructing the building.  

That being said, silver was only used for the most important elements of the temple whereas the vast majority of the building was constructed using aluminum, zinc alloy and nickel, which are cheaper and much more flexible.

When it comes to the intricate designs on the exterior and interior of the hall, its important to note that the majority of the work was done in a style known as repoussé and chasing - What this means is that large sheets of malleable metal were pushed from behind to form a design and then finished with the “chasing” technique from the front.

Link: Repoussé and chasing (Wiki)

If you spend some time walking around the Haiya District of Chiang Mai, you’ll likely hear the constant tapping of hammers on silver with artisans crafting art to be sold in local markets.

Likewise, you’ll also find a small workshop on the temple grounds where there is a resident master silversmith observing the work of the apprentices, who are helping to keep the ancient local tradition alive.

I might be beating a dead horse here but as I’ve already mentioned, the various buildings that make up Wat Sri Suphan have had to be rebuilt on several occasions over the past few centuries.

The Silver Temple that we see today just so happens to have been constructed on top of a previous non-silver ubosot.

All that remains of the original is the base and the sacred ‘sema stone’ boundary markers that signify the separation of the ‘sacred’ and ‘profane’ perimeter of the ubosot. 

While this might not seem all that significant, it is tradition in Thailand that amulets and holy relics are buried under the base of an ordination hall before its construction.

The ‘sema stones’ that remain today from the original building were buried there around five centuries ago and this is one of the reasons used to explain why women aren’t permitted to enter the Silver Temple. 

I’ll talk more about that later. 

Link: Bai Sema (Wiki) 

The only other truly historic part of the Silver Temple is the beautiful ‘Phra Jao Jed Tue’ Buddha statue that occupies the main shrine and is probably one of the only aspects of the interior that isn’t silver.

The statue is thought be at least five-centuries old and there are claims that it was cast in the year 1500, which actually predates the temple. 

It certainly doesn’t look that old. It’s absolutely beautiful.

The Head-Scratching Design

A lot can be said about the mastery and genius that went into constructing this truly unique temple, but some of the decisions when it comes to the murals on the interior and exterior are quite a head scratcher.

Taking into consideration that over a million US dollars was spent to construct the temple - its kind of amazing how much free reign artisans were given to come up with the decorations for the building. 

As I’ve already mentioned, when you visit the temple, it’s important to spend some time checking out all of the small details, because if you do, you’re certainly going to discover that this is where it becomes truly unique - It will also likely make you wonder what the actual thought process was behind some of the artistic decisions.

Starting with the more traditional aspects of the design, the front of the hall is guarded by two “deva” figures on either side of the entrance. They are protected overhead by multi-headed serpents which are representations of Mucalinda, the king of the naga serpents, which protected the Buddha while meditating under the Bodhi tree.

Link: Mucilinda (Wiki) 

The Lanna-style roof.

Following Lanna tradition, the roof consists of three overlapping tiers, each of which features nagas running along the gables. At the apex of each of the tiers, you’ll find “chofas” (ช่อฟ้า), which are representations of the Hindu bird-god Garuda. Finally at the top you’ll find a finial with seven gilt umbrellas, which symbolize the universe. 

As is the case with many of Thailand’s temples, you’ll find images on the exterior inspired by the Jātaka tales, a collection of more than five-hundred stories detailing the many lives of the Buddha prior to attaining enlightenment, in addition to other religious figures common in Buddhism and Hinduism as well as the Thai Zodiac.

These images are displayed on the larger open parts of the exterior walls and occupy most of the space.

Link: Jataka Tales (Wiki) | Jataka Tales (Buddha Net)

You’ll find the pièce de résistance on the rear wall of the building, which is the most intricate and beautifully designed murals on the entire building and tells the story of an important event in Buddhist lore.

Directly in front of building you’ll find two large images of the Buddha on either side of the entrance, one cast in silver while the other is gold. To the left of the building you’ll also find a beautiful silver statue of the Hindu god Ganesha with a silver parasol above its head.

Even though Ganesha is one of the most important gods in Hinduism, the deity was introduced to South East Asia centuries ago and is widely revered in Thailand as a patron of the arts and sciences. 

Interestingly, the parasol above Ganesha’s head is decorated with the twelve animals of the Chinese zodiac, offering more evidence that the design of this temple is a cultural melting pot.

The Avengers

Where things start to get a little odd is in the smaller details where a certain level of international solidarity is put on display with images of many of the worlds major cities and their most famous landmarks.

There is also quite a bit of love shared for neighbouring ASEAN Nations such as Singapore, Vietnam, Myanmar and others.

As it is claimed that this is the first place of worship crafted out of silver, it seems like the designers took some liberties in comparing their silver masterpiece to some of the other architectural feats of human civilization, so you’ll find shoutouts to the other ‘Wonders of the World’ with depictions of the Great Pyramids of Giza, the Statue of Zeus at Olympia, the Colossus of Rhodes, etc.

There’s even a mural dedicated to the superheroes of the Marvel universe striking a pose.

My only question is: Where’s the Silver Surfer?

While you might think that a Buddhist temple featuring Spider-Man and Captain America on its exterior is strange, the interior is where you’ll want to pay the most attention.

At the entrance to the temple you’ll find an image of the much-loved former King Bhumibol in the form of a 1,000 Thai Baht banknote as well as a wide-range of Buddhist and Hindu images and mythical creatures. 

Keeping with tradition, the walls of the interior feature images of the Buddha’s life as well as other important religious figures with links to the temple. 

The floor though is where you’ll want to pay the most attention.

The floor is modelled somewhat like a map of the earth with all of the continents connected by a network of the ancient zodiac.

Traveling around the planet you’ll find a group of aliens in UFOs who seem to be quite content with everything they’re seeing on their trip around our home planet. 

Why are there aliens in UFOs checking out the earth on the floor of this temple? 

The intricate designs on the floor of the temple

Who knows - There isn’t really much of an explanation about that. 

The only ‘explanation’ I’ve seen is that the interior of the building is thought to resemble a Buddhist temple from space or a space ship.  

The strange designs shouldn’t really surprise you that much as there are quite a few recently constructed places of worship in Thailand that feature oddly placed, yet modern images that we’re all familiar with.

So, if you’re visiting a newer temple in Thailand, don’t be surprised if you find images of Astroboy, Doraemon, Hello Kitty, Godzilla, superheroes, Disney characters, etc. 

The “White Temple” in nearby Chiang Rai for example has a mural of the attack on the New York Twin Towers on September 11th, which tends to irritate American tourists.

Link: Tourist’s shock at Thai Temple which has mural of planes hitting the Twin Towers (Daily Mail)

Do the aliens in UFOs have any relation to Buddhist cosmology or local Thai beliefs? Not really. But it is thought that their journey is meant to be a metaphor for your GPS to life. 

That’s certainly open to interpretation though. 

Female Visitors

If Wat Sri Suphan’s claim to fame is its Silver Temple, its safe to say that it has also become quite infamous (especially with foreign tourists) for how it deals with female visitors.

To put it simply, the interior of the Silver Temple is off-limits to women. 

Why is it off-limits to women? That’s not really explained in much detail on-site. 

There’s a big sign in front of the temple that reads: “Women are not allowed entering ordination hall’s area” and another in caps that reads: “WOMEN ARE NOT ALLOWED TO ENTER SILVER TEMPLE

From the literature you’ll find online there are a number of explanations for this: 

  1. The hall contains holy relics which would be disturbed by the presence of women. 

  2. According to traditional Lanna culture, women are not permitted in buildings like this. 

  3. The Silver Temple is an Ordination Hall for monks and thus women are not be permitted as it could cause a monk to unintentionally violate their monastic vows. 

Have a penis? Come on in!

Link: Restricted Area for Women in Thailand (Wikigender)

If you’ve done any research about this temple, you’ll likely have seen a bunch of bloggers complaining about this and of course they make some good points - Banning an entire gender these days (or at any time) makes little to no sense. 

That being said, I’m not from Thailand and as a visitor to the country, it’s not my place to be imposing my values. As tourists, its important that we practice ethical-travel and ensure that we are doing our best to make sure that our tourism dollars are helping to empower women and local communities.  

What we probably shouldn’t be doing though is losing our minds.

It’s important to remember that women are not banned from the entire temple, nor are they banned from the much larger viharn. They’re only prohibited from the ordination hall, which is a sacred space for monks and is where their ordination ceremonies take place.

In Thailand, monastic vows clearly state that monks are forbidden from touching or coming close to women’s bodies and this is strictly enforced upon those who have taken the vows. 

If you take it into consideration that Thailand is one of the few Buddhist countries in the world where monks maintain (somewhat of) a traditional lifestyle, its important to make an attempt to understand why things are like this, even though we may not agree. 

There are quite a few places of worship in Thailand where this unfortunate practice takes place, but in this specific case, the ordination hall is the claim to fame for this temple and it goes without saying that every tourist who visits would love to be able to go in and check out the interior. 

Does it suck? Yes, it does. 

While Thailand remains a country steeped in tradition, it is also quite progressive in many ways and women are afforded equal rights and high status in society. Local women’s rights groups likewise are also extremely vigilant in their effort to improve their status and have been successful in creating positive change and increasing their role in political activism and social movements. 

Like every other country in the world, there are of course still a number of issues that need to be rectified to ensure full gender equality and these religious restrictions are something that have been discussed for quite some time.

It continues to be a work in progress though.  

The good news is that Wat Sri Suphan isn’t the only “Silver Temple” in town and the other one, Wat Muen San, has absolutely no problems with women, and is only a ten minute walk away!

Wat Muen San Address: 13 Wua Lai Rd, Haiya Sub-district, Mueang Chiang Mai District, Chiang Mai 50100, Thailand

Getting There

 

Address: Wua Lai Rd, Tambon Hai Ya, Mueang Chiang Mai District, Chiang Mai 50100

Chiang Mai’s Silver Temple is located south of the historic quarter of the city and just so happens to be on the same road that where the popular Saturday Market is located. 

Getting to the temple is rather straight forward but depending on where you’re staying, it might be a long walk, so you might want to have access to a bicycle or a scooter to get there. 

Google Maps estimates that the temple is a 17 minute walk from Wat Chedi Luang and an eight minute walk from the southernmost exit of the historic district. 

To get to the temple you’ll want to cross the southern traffic exit of the historic city to Rat Chiang Sean Road and then make a turn on Wua Lai Road

This is the same road where the immensely popular Saturday Night Market is located, so you shouldn’t have much trouble finding it. 

From there you’ll simply continue heading south until you come across an alley on the right side of the road that has a gate (and tourist signs) that lead you to the front of the temple. 

Personally, I had a rented bicycle that I used to get to the temple as I was staying in the North-Eastern area of the historic district. From the southern exit of the city it only took about three or four minutes to get there. 

If you are riding a bicycle or a motorcycle, you won’t have to worry as there is more than enough parking in the area that you shouldn’t have any difficulty finding a spot to park. 

Understandably, it gets quite hot in Chiang Mai, so if you don’t feel like walking or riding a bicycle, you can easily grab a taxi, Tuk Tuk or Songthaew. 

Link: 13 Ways of Getting Around Chiang Mai (Chiang Mai Traveller)  

While in Thailand, you should also download the “Grab” app for your phone. It is basically South East Asia’s version of Uber but it allows you to easily grab a taxi, tuk tuk or motorcycle during your travels without having to worry about confusion or being taken for a ride. 

Likewise, Thailand also uses Uber, so you have quite a few options available for getting around. 

Admission: 50 Baht ($1.50 USD) 

Hours: 6.00am - 5.30pm daily (Closes at 9:30pm on Saturday) 

I should also mention that like many other places of worship in Chiang Mai, Wat Sri Suphan offers monk-chat and meditation sessions every other day. If you’re interested in taking part, the chats are held on Tuesday, Thursday and Saturday evenings from 5:30 - 7:30pm and the meditation sessions are held from 7:00 - 9:00. 

Visiting a bunch of seven or eight-hundred year old temples is a fun learning experience and it goes without saying that Thailand’s wats are extremely picturesque, but after seeing a few of them, it would be understandable if you’ve started to feel a little worn out. 

If thats the case, I highly recommend a visit to the Silver Temple. 

I realize that if you’re tired of temple-hopping that visiting another might not exactly be the solution to your problem.

In this case though, you’re going to see something unlike any of the other places of worship in town (or anywhere) and while part of the temple complex is quite old, the Silver Temple is about as modern of an interpretation as you can get. 

The temple of course has similar architectural design aspects as the other temples around town, but the liberties that they’ve taken with the artwork on the walls as well as the fact that the temple is entirely made out of silver and aluminum makes this one quite unique. 

It’s also likely to lead you to think that designers probably had a few too many drinks while constructing the temple. 

I promise, if you take the time to visit this temple and check out some of the smaller details on both the interior and the exterior, you’ll probably find yourself scratching your head wondering what is actually going on.

There isn’t a whole lot here that makes sense and that’s probably what makes a visit to this temple so much fun. 


Wat Chedi Luang (วัดเจดีย์หลวงวรวิหาร) 

As one of the most popular tourist countries in South East Asia, Thailand has a little something for everyone.

From beautiful islands and beaches to thick jungles, historic kingdoms, golden palaces, temples, ancient ruins and one of the most amazing cuisines and friendliest peoples you’ll find anywhere on the planet. 

No matter what part of the country you’re visiting, you’ll always be warmly welcomed and fed like royalty. 

That being said, the love I have for Thailand is something that grew on me over several visits to the country.

Suffice to say, it wasn’t love at first sight. 

This was because my first visit probably wasn’t the most positive in terms of travel experiences.

I was a novice traveler and the purpose of my visit was to conduct research for my thesis, which was a heavy topic that dealt with the issue of sex tourism.

Walking around Bangkok, I remember being approached on several occasions by scam artists attempting to cheat me or send me off on some wild Tuk-tuk adventure - a couple of which I fell for.

Obviously I can’t blame anyone for my own lack of travel experience, but its important to remember that no matter where you go as a tourist, you’re likely to be targeted for scams, so its best not to engage with too many random overly-helpful people on the street.

I do however feel like I owe Thailand an immense debt of gratitude for this experience as it helped me grow as a traveller and also prepared me for the onslaught of scams that tourists are targeted with when visiting Rome and other popular tourist destinations in Europe.

One of the things I’ve discovered over my years of traveling is that the further you travel outside of a country’s capital city, the more fun you’re going to have - This is especially true in the case in Thailand where I think the further you travel away from Bangkok, the more your experience is going to improve. 

While most tourists are likely to travel south of the capital to one of the many tropical island paradises that Thailand is blessed with, the northern city of Chiang Mai is another popular destination on the tourist radar. 

When visiting Chiang Mai, you’d be forgiven for feeling like you were hanging out in a beach resort on some remote island - The pace of life in northern Thailand’s most populous city is drastically different than the rest of the country, which is part of its charm.

The city is full of historic things to see and do but it is also filled with hipster coffee shops, bars and restaurants where you can relax the days (and nights) away just like you were on a beach.

An absolute delight to visit, if you’re looking to relax, eat some great food, drink some great coffee, enjoy the nightlife and check out some historic sites, Chiang Mai should be high on your list of places to visit. 

Founded in 1292 as the capital of the Lanna Thai Kingdom, the historic city is a stark contrast to some of Thailand’s other densely populated areas thanks to an orderly urban design that has since developed outward from the ancient walled city to a modern one with wide streets and smooth traffic.

Chiang Mai might be more than seven centuries old, but it is also a modern city that has blended history with technology and a mission to keep the area green. The streets are clean and quiet and (especially within the walled area) there are trees growing everywhere.

That being said, for several months of the year, Chiang Mai suffers from deadly air pollution due to the old tradition of post-harvest slashing and burning of fields - something that is actually completely preventable.

Even though there is a much more modern section to Chiang Mai, it goes without saying that the majority of tourists spend most of their time within the walled area of the city as it is where you’ll find the most popular restaurants, coffee shops, bars, night markets - and more importantly around two dozen historic places of worship dating back to the 13th and 14th centuries. 

Each of these places of worship, has its own unique historic and cultural significance, but Wat Chedi Luang is probably one of the most important to the city itself as it is home of the “City Pillar” housed within the temple.

Oh, and I guess its also because Wat Chedi Luang is also home to Chang Mai’s largest Chedi (pagoda) which dates back to sometime between 1385 and 1402 and after so many centuries continues to define the city’s skyline. 

Wat Chedi Luang (วัดเจดีย์หลวงวรวิหาร) 

Wat Chedi Luang, otherwise known as ‘The Temple of the Big Stupa’ or the ‘Temple of the Royal Stupa’ is the literal ‘centre’ of Chiang Mai and has served as one of the city’s most iconic images and places of worship for the past seven centuries. 

Most people think that Wat Chedi Luang is simply just a giant stupa, but within its walls you’ll find several temples and shrines as well as a Buddhist University. 

As one of Chiang Mai’s most popular tourist attractions, you can be sure that you’ll always be able to find visitors from all over the world but at the same time, it is one of Chiang Mai’s most important places of worship, so you’ll also find locals going about their daily lives as well as monks and nuns doing their thing.

In truth, Wat Chedi Luang has been a constant fixture of life in Chiang Mai since the 14th Century, but if you want a clearer picture of its history, it is important to remember that not all of the individual pieces within the complex are several centuries old and that it is a place of worship that has constantly grown over the years.

That being said, even though you’ll find some relatively recent additions to the temple complex, you’re also going to come across some things that look new but are actually several centuries old.

Suffice to say, it’s important to pay close attention to what you’re looking at. 

Below I’ll introduce each of the important sections of the temple, a bit about its history and what you’ll find inside so that you have a better understanding of what you’ll see. 

The Grand Chedi 

The oldest section and the main attraction of the temple is massive “chedi”, which has dominated the Chiang Mai skyline since its construction first began in 1391.

The construction of the chedi took place in several stages and took almost a century to complete. 

You might be wondering what a “Chedi” (เจดีย์) actually is, so before I go on I’ll take a minute to explain - A chedi is simply the Thai version of a Buddhist “stūpa”, which is a hemispherical structure that most often contains relics or the remains of monks, nuns or people of notoriety.

Traditionally they are shaped to resemble the Buddha sitting in a meditation posture, with the largest part of the base acting as the throne while the spire at the top symbolizes his crown.

Chedi’s and Stupas can be found throughout Thailand and other parts of Asia, but unless they contain the remains of the Buddha (such as the Boudhanath Stupa in Nepal), they are rarely ever as large as the Chedi at this temple

Link: Stupa (Wiki) 

Construction of the Chedi started in 1391 under the direction of Lanna King Saenmueangma, the seventh monarch of the Mangrai dynasty.

As mentioned above, one of the purposes of a chedi is to contain the remains of someone of notoriety.

In this case, the purpose of the chedi was to be the resting place for the remains of the kings father.

Unfortunately in 1401, the king passed away and the chedi was left unfinished.

Construction would later pickup again under the guidance of the king’s widow and for the next few decades construction would continue until it was completed in 1475 during the reign of King Tilokkarat.

When the Chedi was completed, it stood 82 meters high and had a base diameter of 54 meters which officially made it the largest building in the Lanna Kingdom.

In terms of decoration, each of the four sides of the chedi has a large staircase guarded by mythical Naga creatures (which you’ll commonly see in front of temples and shrines) with a niche at the top of each of the staircases where images of the Buddha are enshrined.

Just below the top of the stairs you’ll find a large platform that contains Sinhalese-style stone elephants. 

In 1468, King Tilokkarat placed the famed Phra Kaew Morakot (พระพุทธมหามณีรัตนปฏิมากร), otherwise known as the “Emerald Buddha” in the eastern niche of the chedi.

The 66 cm x 48 cm emerald-green statue (made of the semi-precious green stone jasper) is thought to date back to the 15th Century and is considered to be of Lanna origin - although there is quite a bit of intrigue surrounding its origin. 

While the origins of the statue might be disputed, its history however has been extremely interesting.

Link: The Emerald Buddha (Wiki) 

In 1545, a massive earthquake rocked Chiang Mai and the upper 30 meters of the chedi collapsed leaving it without its spire as well as destroying a few of the stone elephants and the guardians at its base.

It also left the tower with considerable structural issues. 

The situation at the chedi after the earthquake was nothing short of disastrous, so it was decided that the precious Emerald Buddha would be moved to nearby Wat Phra Singh, where it would stay for the next decade before becoming a political prisoner and taken to Luang Prabang, the capital of the Lao Kingdom.

There it stayed for the next two centuries at Haw Phra Kaew

Then in 1779, Siamese General Chao Phraya Chakri captured Luang Prabang and took the Emerald Buddha back to Siam where it was installed in Thonburi. He then seized the throne for himself and founded the Chakri Dynasty where he would be titled King Rama I. 

For reference, the current king of Thailand is Maha Vajiralongkorn, officially known as Rama X. 

King Rama I later shifted the capital of his kingdom across the river from Thornburi to Bangkok and constructed the Grand Palace as well as Wat Phra Kaew, the temple where the Emerald Buddha has been enthroned for the past two centuries and where it can be seen today. 

Historic Photo Link: Wat Chedi Luang, the Big Stupa (Travel & History)  

Since the earthquake in 1545 there have been several attempts to reconstruct and restore the chedi.

Most notably in the 1990s, parts of it were reconstructed thanks to the financial backing of UNESCO and the Japanese government, which helped to stabilize the structure.

The project however was controversial in Chiang Mai as it was noted that some of the new additions reflected a style used in Central Thailand and weren’t of Lanna origin.

Back to the Emerald Buddha, you might think that in an attempt to ‘right the wrongs of history’ that the Buddha should be returned to its rightful home at Chedi Luang - This however is a bit of an issue as the statue is considered to be the most revered image of the Buddha in the country, part of the ‘sacred palladium’ of Thailand and is housed in the ‘most sacred’ temple in the country.

A national treasure of this kind isn’t just simply removed and left out in the open in a chedi, where it could be easily stolen or destroyed. 

So, in its place today is a (not exact) replica of the statue made of black jade named “Phra Phut Chaloem Sirirat“ or “Phra Yok”, which was gifted to the chedi on the occasion of its 600th anniversary, which just so happened to also be the 700th anniversary of the founding of Chiang Mai and the 50th anniversary of the (former) King’s accession to the throne.

Today the Chedi remains in its partially ruined state with no plans to replace the top thirty meters that fell during the earthquake, which probably makes sense as its not really known what the top of the spire actually looked like.  

Sao Inthakin (The City Shrine) 

Near the main entrance to Wat Chedi Luang you’ll find Sao Inthakin, known as the ‘Chiang Mai City Shrine’ or the ‘Shrine of the City Pillar’, which is believed to house the city spirit deity. 

City Pillars or “Lak Mueang” (หลักเมือง) are found in most of Thailand’s major cities and towns and is part of an ancient tradition that requires a ‘pillar’ be driven into the ground in the historical centre of the city in order to act as a spiritual guardian for the people living there. 

The City Spirit Deity, “Chao Pho Lak Mueang” (เจ้าพ่อหลักเมือง) is a tutelary deity that acts as a guardian or protector of a specific geographic location. This type of shrine is common throughout Asia with the practice being important in Hinduism as well as Chinese Folk Religion.

While geographic locations (such as cities) are home to large versions of these shrines, individual homes in Thailand will also most often have miniature versions of these shrines known as Chao Thi (เจ้าที่) or Phra Phum (พระภูมิ), which house the deity.  

Link: Lak Mueang (Wiki) 

The Interior of Chiang Mai’s City Pillar Shrine.

In Chiang Mai, the City Pillar Shrine was originally placed within the nearby Wat Inthakin (Wat Sadeu Muang) in 1296, but was subsequently relocated to its current location within Wat Chedi Luang in 1800 by King Chao Kawila

The King, who had just retaken the city from the Burmese had the new shrine constructed for the pillar as its original home had decayed during the Burmese occupation of the city.

Outside of the current City Pillar shrine you’ll find three giant dipterocarp trees, which were planted by the king when the shrine was consecrated.

According to local tradition it is believed that if any of the trees suddenly falls, so too will the city.

The interior of the shrine is probably one of the most beautiful in the whole of Chiang Mai as the colours on the wall-to-wall murals of the Buddha’s life are extremely vibrant with a beautiful shrine housing a golden standing Buddha placed above the pillar which has been driven into the ground below. 

In front of the shrine you’ll find a notice that reads: “Chiang Mai’s City Pillar is located in Wat Chedi Luang and is now enshrined underground. It is a sacred place that is worshipped by Thai people, especially those from Chiang Mai. It is the pillar of the city. Women are prohibited to enter because they menstruate. It is believed that it humiliates and ruins the sanctity of the city pillar. Besides, men who dress inappropriately are not allowed to walk in. It is believed that any disobeying of the rules will cause social instability.” 

So yeah, women aren’t allowed in because they menstruate. 

I’m not a big fan of gender restrictions like this, but I’ll leave it at that.. 

Phra Viharn Luang

The primary area of worship at Wat Chedi Luang, the “Phra Viharn Luang” is a large and beautifully constructed temple that sits directly in front of the chedi.

Phra Viharn Luang dates back to 1412, its construction taking place in conjunction with the work being done on the chedi. It would be quite impressive if the building were six centuries old, unfortunately the wat has been reconstructed several times over its long history with the current version dating back to 1929.

Still, almost a century old, the building is impressive and its beautiful facade and triple-tiered roof is the first thing you’ll notice when you enter the main gates. 

Starting with the roof, you’re going to want to pay attention to the small details - Similar to the design of most of Thailand’s wats, its triple-tiered. This one however has overlapping layers that makes the three-tiers actually look like six.

In Thailand, buildings that have intricate roofs like this are considered to be prestigious, so as one of Chiang Mai’s most important places of worship, it should be fairly obvious that there is a lot of detail to this one. 

Keeping with tradition, on each end of the gables you’ll find images of mythical nagas while each of the apexes is home to a “chofa”, a representation of the Hindu bird-god Garuda.

Finally, at the top centre of the roof you’ll find a gilt umbrella. 

Link: Thai Religious Architecture: Concepts, Temples, Symbols and Parts of Temples

The entrance to the temple is guarded by two impressive-looking nagas, which lead up a set of stairs where you’ll be met with the front door to the assembly hall. 

The interior of the hall is relatively plain except for the massive golden columns that are constructed parallel to each other and act as a pathway to the main altar, which can be easily seen from the front door thanks to the massive size of the interior.  

The walls are white and there are large windows on the left and right side of the building that allow an ample amount of natural light into the room.

There are also a couple of beautiful chandeliers hanging from the ceiling to provide more light.

In terms of decoration, you’ll want to pay attention to the murals on the columns as well as those on the window shutters that depict certain scenes of the Buddha’s life.

Likewise on the left side of the hall you’ll find some colourful lucky charms hanging and fluttering around in the wind.  

Although I mentioned above that the current building only dates back to 1929, the shrine inside is considerably older with the golden image of “Phra Chao Attarot” (Eighteen-cubit Buddha), a bronze standing Buddha that dates back to the 14th Century. 

Considered to be one of the most beautiful images of the Buddha from the Lanna Kingdom, the nine meter tall statue looks peaceful and has its hand extended in a motion that westerners might assume that he’s saying: “Stop!”, but is actually is a common Buddhist gesture, known as a “mudra”, for giving reassurance, fearlessness and a sense of safety. 

Link: Abhayamudra (Wiki)

On either side of the Buddha you’ll find two of his most important disciples, Moggallana and Sariputra as well as various smaller bronze statues of the Buddha below, all of which date back to around the 14th century.

To the left of the main shrine, you’ll find a shrine set up for the King and Queen of Thailand and along the walls on the right side you’ll find seven bronze statues of the Buddha in various positions with a day of the week in front with a box for offerings. 

The reason for this is that in Thailand, the day of the week you were born on is considered to be your “Lucky Day” and similar to the Chinese Zodiac, it determines what kind of person you are, what colors are suitable for you and the people who are best fit to be friends or lovers.

This is something that you’ll find in almost every temple in Thailand, so I recommend searching your date of birth on Google to find out what day your were born on and checking out the Buddha that represents you!  

Bhuridatto and Chaturmuk-Burapachaan Viharns

To the rear of the temple complex, on the opposite side of the Chedi from Viharn Luang, you’ll find two smaller Viharns that were constructed to house numerous relics (and the remains) of important monks and abbots throughout Chedi Luang’s long history. 

The Lanna-style Bhuridatto Viharn, which is noticeably black, grey and white was constructed in 1858 and is beautifully decorated with a three-tiered roof and an intricately designed front facade that has two beautiful Naga guardians at the door.

Surprisingly, compared to the beautiful exterior, the interior is rather simple and consists of a wide-open space for worshippers and a shrine at the back that consists of a lifelike statue of “Luangpu”, a much loved monk with a golden mondop (tower shrine), that has an urn containing a tooth relic of the monk. 

Next door you’ll find the Chaturmuk-Burapachaan Viharn, which is said to have been constructed using the traditional architectural design of the neighbouring Lampang province. The Viharn likewise has an impressive tiered roof and an open-air style that allows natural light and a breeze to flow through it. 

The Viharn has a beautiful front pavilion that leads up to the shrine, which is actually quite small. The interior is made of teak and consists only of wax statues of other former monks of which there are quite a few. 

Something you’ll have to get used to while visiting places of worship in Thailand are these somewhat eerie lifelike wax statues of monks, which amazingly look like real people. 

The Reclining Buddha Pavilion

Near the rear of the complex, next to the two smaller Viharns mentioned above you’ll find a more recent addition, the Reclining Buddha Pavilion.

The pavilion, which was constructed in 1955 by the residing abbot at the time is home to an almost nine meter long ‘Reclining Buddha’ (ปางไสยาสน์), which was crafted during the reign of King Muang Kaeo, who ruled the Lanna Kingdom from 1487 to 1517.

That makes the statue around five centuries old.

The image of the ‘Reclining Buddha’ is a popular one in Buddhist iconography and especially in Thailand.

You might think it simply looks like an image of the Buddha hanging out and relaxing, but it actually represents the final moments of his life on earth. Unlike most people nearing death, the Reclining Buddha is always depicted with a blissful look on his face because he was preparing to enter parnirvana.  

Just outside of the Reclining Buddha room you’ll find an image of “Phra Kātyāyana”, an overweight Buddha who is often confused with the “Laughing Buddha”, but is actually one of the ten principle disciples of the Buddha.

Note: For a lot of westerners, the plump “Laughing Buddha”, who is known as Budai / Hotei (布袋) in East Asian Buddhist tradition is often confused with the “Buddha”, who was himself sickly thin. Originally a monk who lived in 10th Century China, he is said to have lived an eccentric lifestyle and had a humorous and captivating personality. 

In Thai folklore there is a story that explains that the Buddha’s disciple Kātyāyana was so attractive that both men and women were hypnotized by his beauty. A man on a mission to spread the Buddha’s message, he decided that in order to complete his task, it was necessary to transform himself into an overweight figure so that people would pay more attention to what he had to say and not how he looked.

Phra Kātyāyana was renowned for his ability to explain even the most sophisticated of Buddhist concepts in an easy to understand manner so that the dharma could be accessible to anyone who wanted to learn.   

Getting There

 

Address: 103 Prapokkloa Rd, Tambon Si Phum, Mueang Chiang Mai District, Chiang Mai 50200, Thailand

Wat Chedi Luang is a huge temple complex and pretty much takes up an entire city block within the old walled section of the city. The official address is provided above, but it’s important to note that for tourists there is only one entrance, which is situated along Prapokkloa Road

Considering that Wat Chedi Luang is home to the City Pillar Shrine, it is located pretty much in the dead-centre of the city, so depending on where you are staying, you should be able to walk there from anywhere within the walled city. 

Nevertheless, it gets quite hot in Chiang Mai, so you could easily grab a taxi, tuk tuk or songthaew if you don’t have a bicycle or have rented a motorcycle. 

Link: 13 Ways of Getting Around Chiang Mai (Chiang Mai Traveller)  

While in Thailand, you should also download the “Grab” app for your phone, which is basically South East Asia’s version of Uber. You can easily grab a taxi, tuk tuk or motorcycle during your travels without having to worry about confusion or being taken for a ride.

Likewise, Thailand also uses Uber, so you have quite a few options available for getting around. 

Personally, I preferred to walk. Chiang Mai is a beautiful town and is quite accessible by foot. 

Let’s face it, if you’re visiting Chiang Mai, you’re obviously going to visit Wat Chedi Luang. 

As one of Chiang Mai’s most popular tourist destinations within the old section of the city, its one of those places that every tourist absolutely has to visit while in town. 

Even though checking out the temple could take a couple of hours out of your day, you won’t want to miss the chance to visit this historic place of worship.

Wat Chedi Luang has a lot more going on than your average Thai temple - and you’ll learn so much about the history of Chiang Mai in the process. 

Unfortunately, even though there is a pretty good amount of information about each part of the temple provided on-site, there isn’t really a whole lot in terms of in-depth descriptions to better help you understand what you’re seeing while you’re there. 

I hope this article helps out a little if you’re planning a trip to the city. 


Naminoue Shinto Shrine (波上宮)

How much do you know about Okinawa? If you’re like most people, you probably learned in history books that it was the location of one of the most devastating battles of the Second World War. That unfortunately might be the extent of your knowledge about this small, yet extremely beautiful archipelago of islands known as the Ryukyus.

What happened before the war? What happened after the war? 

These are questions that anyone planning a visit should be asking. 

Okinawa’s history is an extremely complex one and if you’re not well-versed, don’t worry, if you visit, you’re going to get a crash course. 

The Okinawa of today has developed into a modern, yet beautiful tropical island with excellent infrastructure and public transportation that provides easy access to all the other outlying islands and amazing beaches.

Its hard to fathom while walking down the clean, well-organized streets that half a century ago, the entirety of the island was reduced to a festering pile of rubble and human misery. 

In the aftermath of the war, Okinawa redeveloped at an amazing pace, but while homes and businesses can be rebuilt, something that the people of Okinawa continue to struggle with today is that they’ve lost so much of their culture, language and identity through all of the chaos.. 

This is something that the people of Okinawa have worked tirelessly at rectifying over the past few decades and now the fruits of their labor are taking shape as there has been a cultural revival of sorts when it comes to the local language, culture and customs, which the local people have become so very proud of.

What this revival also shows quite clearly is that there is a stark contrast between the Ryukyuan people and their Japanese compatriots and that while they might have a shared history, they’re not one in the same.

Link: Battle of Okinawa’s legacy lives on 70 years later as locals chase against Japanese rule, US arms (The Conversation) 

In the aftermath of the war, reconstruction efforts focused primarily on building modern infrastructure and homes for all of the people who were displaced. Suffice to say that many of the buildings of cultural or religious significance that were lost weren’t really high in priority.

This meant that the various Ryukyuan castles like Shuri Castle, Nakagusuku Castle and Zakimi Castle as well as various tombs and places or worship weren’t rebuilt.

The Eight Ryukyuan Shrines (琉球八社) for example, which were (for the most part) places of worship created for the Ryukyuan folk religion (and later converted into Shinto Shrines) were eventually rebuilt, but it would take until the 1990s (or later) Or for most of them to reappear in some shape or form. 

Links: Ryukyu Eight Shrines 琉球八社 (Samurai Archives)  | 琉球八社 (Wiki)

When reconstruction efforts on these shrines finally began, priority was given to the largest and most significant of them, namely, Futenma Shrine (普天滿宮) just outside of the capital. Next came Naminoue Shrine (波上宮), Okinawa’s “ichinomiya” (一宮), the highest-ranking shrine in the prefecture.

Naminoue Shrine, known simply to the locals as ‘Nanminsan’ has a long history dating back to at least the 1300s and today is the most widely-visited place of worship in all of Okinawa.

The shrine is not only one of the most important religious sites in the capital city, but is also a place of worship that is uniquely ‘Okinawan.’ Even though it maintains many of Japan’s traditional design elements, it is unmistakably something that you’re only going to see in Okinawa which makes it stand out from the 80,000 other shrines across the country.  

Naminoue Shrine (波上宮)

Literally, the “Above the Waves Shrine”, Naminoue Shrine, pronounced [Na-mi-new-oh-eh], sits high on its perch above the Naha Harbour. 

The internet is full of claims that the history of the shrine dates back almost a thousand years, but that is actually a bit misleading. There isn’t actually any recorded information or evidence that gives an exact date as to when a shrine was first constructed in this location. 

What we do know about the origins of the shrine are from local legends. The story goes a little like this: A shrine was constructed by a fishermen who one day came across a mysterious stone and, (as one does), began to pray to it, which caused the stone to start glowing. Soon after the fisherman started taking in record hauls which eventually caught the attention of the local gods who stole the rock. From that time on though, an oracle took up residence in the area and people started visiting for spiritual guidance. 

The first documented information about a shrine in the area comes from the “Ryukyu-Koku-Yurai-Ki” (琉球國由來記) or “the Record of Origin of the Kingdom of Ryukyu” which tells of a Buddhist Temple, the “Naminoue-san Gokoku-ji” (波上山護國寺), which was constructed in 1367 and would later burn to the ground in 1633.    

The shrine would then return to its folk-religious roots and as its reputation for spiritual greatness spread throughout the land, it became habit for the sailors coming in and out of Naha harbour to look up and say a prayer for protection on their journey. Lending credence to the claims of Naminsan’s spiritual power, the Ryukyuan Kings also made a yearly ritual of visiting the area to formally pray on behalf of the nation for peace and prosperity.

Note: The local folk religion, known as “Nirai Kanai” (ニライカナイ信仰) or simply as “Ryukyuan Shinto” (琉球神道) is similar in a lot of ways to Japanese Shintoism. The religion honours the relationship between the living and the dead as well as the gods and spirits of the natural world, but is also predominately a medium of ancestral worship. 

Nanminsan was dedicated to the local religion for hundreds of years, but that came to an end when the Japanese annexed the Ryukyuan Islands and formally put an end to the Ryukyuan Kingdom in 1879. From the outset, the Japanese treated the Ryukyuan people as second-class citizens and attempted to erase their culture and language. The local folk religion became one of the colonial powers first targets and Nanminsan being one of the most sacred spaces in the land was replaced by the “Naminoue Shinto Shrine” in 1890. 

The newly established Naminoue Shinto Shrine was classified at the time as the “Okinawa Sochinju” (沖繩總鎮守社), which mean that it was dedicated to the “protection and tranquility” of the entire prefecture. The problem for the Japanese however was that the local people resisted, so they capitulated and enshrined several of the Ryukyuan Kings as gods at the shrine in an attempt to appease the locals.

This in turn also helped the Japanese integrate the royal family into the Japanese Imperial structure. 

In 1923, the shrine was completely rebuilt and all of the traditional Okinawan design elements were replaced by traditional Japanese design. That version of the shrine however only lasted for a few decades though as it was completely destroyed during the Battle of Okinawa in 1945. 

In the years following the war, the shrine was slowly rebuilt with initial construction focusing on the Shamusho (社務所) and Honden (本殿), which were completed in 1953. It would take another four decades to raise enough money to complete the rest of the shrine (which is something I think in retrospect that we can be thankful for) as the Haiden (拜殿) and several other parts of the complex were completed and opened to the public in 1993. 

The reason why I suggest that we’re fortunate is because the completed structure that we see today is a beautiful fusion of Japanese and Okinawan traditional design that might not have been possible if it were completed sooner. The resurgence of the Ryukyuan cultural identity has fueled a need for local places of worship to better represent the local population, so the end result is a unique shrine that pays home age to the beautiful Ryukyuan islands. 

Link: Naminoue Shrine (The Samurai Archives) | Origin of Naminoue Shrine (波上宮) 

Kumano Worship (熊野三山)

Before we get into some of the different design elements of the shrine, I’d like to take a few minutes to explain Kumano Worship, which is something most people might find a bit a confusing about Okinawa’s Shinto Shrines. It is rare that you’ll find an article that touches on the subject, so I’ll try to explain it as best as I can, but it’s important to note that a lack of recorded history makes this stuff a little difficult to explain. 

One of the common features of all of Okinawa’s Shinto Shrines is that they are dedicated to Kumano Worship - which is a Shinto tradition that hails from the mountainous Kumano (熊野) region that spans the prefectures of Wakayama (和歌山縣) and Mie (三重), about 100 kilometres south of Osaka (大阪) on Japan’s main island. 

Kumano Worship might not attract as many followers as some of Japan’s other Shinto sects, but it is thought to predate all of Japan’s modern religions. Centered around the three UNESCO World Heritage Shinto Shrines: Hongu Taisha (本宮大社), Hayatama Taisha (速玉大社) and Nachi Taisha (那智大社) the area is considered to be a place of physical healing and is often mentioned in the mythology surrounding Japan’s founding.  

Today there are more than three-thousand shrines throughout Japan dedicated to Kumano worship, each of which goes through a special propagation process known as “bunrei” (分霊) where the spiritual power of the Kumano deities are shared with a new shrine. Over the past thousand years as Kumano worship spread throughout Japan, followers including Emperors, Samurai and commoners alike have all been attracted to the area to take part in the Kumano Kodo (熊野古道), one of the worlds most important religious pilgrimages.

There are numerous legends that deal with the origin of Kumano Worship, which all deal with the power of nature. Not only is the Kumano area credited with being the mythological birthplace of Japan, it is also known as the “land of the dead” where various kami retire in death - including the gravesite of Izanami (伊邪那美), the deity who created the earth together with her husband Izanagi (伊邪那歧).

Link: Finding the roots of Japan (BBC Travel) 

So how did Kumano Worship become such a big thing in Okinawa? 

That is actually quite a difficult question to answer due to the lack of recorded history. What we do know is that the Ryukyu Kingdom was a major player in the East Asian trade networks and that they learned a lot from foreigners, especially those from China, Japan and Korea. 

The influence these other nations had over the Ryukyus not only involved international trade but the sharing of technology, education, governance, religion, etc. 

What little we know about Kumano’s arrival in the kingdom comes from the Ryūkyū Shintō-ki (琉球神道記), a book authored by a Buddhist monk that documented the Ryukyuan religious experience in the early 1600s. We also know that the Futenma Shinto Shrine (普天滿宮), which was established in the 14th Century was one of the first shrines in the Ryukyus dedicated to Kumano worship, so its likely that Kumano worship spread to Okinawa well before the kingdom was established.  

In the book, monk Taichū Ryōtei (袋中良定) explains that the propagation of Kumano Worship in Okinawa was likely the result of traveling Buddhist monks who visited the islands. At that time, Buddhism and Shintoism were considered to be synchronized with each other, so it shouldn’t be surprising that Japanese monks spreading Buddhism also helped to spread Shinto beliefs as well.  

In one story, Monk Nisshu (日秀), who is credited with the establishment of the Kin Kannon Temple (金武觀音寺), used his supernatural powers to save the local village from a rowdy bunch of venomous snakes and from there stayed in Okinawa to spread Buddhism and Kumano Worship. 

Likewise there are several other stories of monks becoming shipwrecked or traveling specifically to Okinawa on exchange to spread Buddhism. None of these stories however fully explain why Kumano Worship in particular was so heavily promoted - It is safe to assume though that as Kumano was home to one of the more established Shinto sects in Japan as well being home to what many people considered to be the “Pure Land”, it was a major centre for Buddhist training which meant that many of the monks who later became missionaries would have trained in the area. 

Link: 沖縄の熊野信仰霊場を訪ねて (Japanese)

Points of Interest

There are quite a few small details to take note of when you’re visiting this little shrine and each of them serves a very specific and important purpose. Below, I’ll introduce some of the most important points of interest at the shrine that you’ll want to pay attention to, but if you’d like a more detailed introduction to Shinto Shrines, their history and architecture, I recommend checking  the link below to learn more about Japan’s traditional places of worship. 

Link: Shinto Shrine: History, Architecture, and Functions (Patternz) 

Shrine Gate (鳥居)

The gate to the shrine is known in Japan as a "Torii" gate, which simply translated into English as a ‘bird perch’. These gates are typically found at the entrance of a shrine and their purpose is to demarcate the transition from the outside profane realm to that of a sacred one. This means that once you pass through the gate, it is time to stop joking around and to be respectful. 

The Torii at Naminoue Shrine is known as a Myojin Torii (明神鳥居) which is one of the most common styles in Japan and simply means that its upper beam is curved while the lower beam is straight. Between the two beams there is a plaque that reads “Naminoue Shrine” (波上宮) and on either side of the gate you’ll find two large stone lanterns that light up the gate beautifully at night.

The gate is the largest of its kind in Okinawa and not only is it quite tall, its also wide enough to allow a lane for cars to enter on one side with pedestrian traffic on the other.  

Once you reach the top of the hill there is a second Torii gate that you have to pass through before reaching the interior section of the shrine. This gate is situated a level above the parking lot, so it allows people who have driven their cars into the shrine and parked their cars to also walk through a part of the visiting path to the shrine. This stone gate is much smaller than the first one and hung from the lower beam of the gate you’ll notice something known as the “sacred rope” or the “shimenawa” (標縄). The rope is thick and is decorated with “shide” (紙垂), which are beautifully cut paper streamers that are used in Shinto rituals. These sacred ropes are found all over Japan and have many different uses but here at the Shinto shrine it is used to help ward away evil spirits 

Visiting Path (參道)

The “Sando” (參道) or “Visiting Path” is a common feature with Japanese Shinto and Buddhist places of worship and acts as a path that leads to the Hall of Worship. The length of the path varies between shrine with some being quite short while others are several kilometers long.

The path at Naminoue Shrine is a short one that winds up a small hill and consists simply of a set of cement stairs with stone lanterns on the left and a small barrier fence on the right. As I mentioned above, the path is split into two with pedestrian traffic on the right and a road for cars to reach the shrines small parking lot. 

Once you’re at the top of the hill, you’ll pass through another Torii gate and the path to the main hall will come into view with the Purification Fountain on your left and the Administration Office on your right.    

Purification Fountain (手水舍)

An important aspect of Shintoism is something known as the "sacred-profane dichotomy". In terms of this temple, the Torii gate at the entrance of a temple separates the world of the 'sin' from that of the 'sacred'. When you walk through the gate you are leaving the world of the profane which means that you should do so in the cleanest possible manner. So in order to ready yourself for entrance into the sacred realm you would have to do so with a purified body and mind. 

As you approach the Purification Mountain or “chozuya”, you’ll notice a handy guide next to it that indicates the proper method of purifying yourself with a ceremony known as “temizu” (手水). The simple ceremony includes a few gestures that you’ll probably want to take part in if not just as a sign of respect, but because its hot in Okinawa and washing yourself with cold water is quite refreshing. 

  1. Pick up a ladle with your right hand, fill it with water and clean your left hand.

  2. Swap the ladle to your left hand and then wash your right hand.

  3. Swap hands again and pour some water into your left hand and take a drink.

  4. Wash your left hand again and then tilt the ladle vertically so that the remaining water runs down the handle.

What I really like about the Purification Fountain at this shrine is that it is situated within a tree covered area that offers visitors some respite from the sun. The fountain itself is beautifully decorated with the water spouts appearing in the shapes of dragons and the fountain itself made of a dark black coloured stone. 

Administration Office (社務所)

The “Shamusho” (社務所) is opposite the Purification Fountain and reaches as far as the Hall of Worship. The building is traditionally used to conduct the business of running the shrine and also acts as a place to allow the shrine personnel to rest. 

It is also where you’ll go if the shrine is holding a lecture or if the priests are holding special events or prayer ceremonies that aren’t held in the Hall of Worship. You’re likely to notice a long line of visitors at a window at the building as this is where you’re able to purchase good luck charms, amulets, ema, etc. from the shrine.

In the case of this shrine though, I gather that most of these public events are likely held at the Shrine Association building (神宮會館) which is directly across the street from the main gate. While not officially within the shrine area, the association building is frequently used for large public events and weddings and is where you’ll want to go if you want to rent a traditional Japanese yukata to get photos of yourself for your shrine visit.

Stone Guardians (狛犬)

One of the common features that you’ll find in the many of the places of worship throughout East Asia is that the temples and shrines are usually guarded by stone lion-dogs known in Japan as “Komainu” (狛犬). Thought to have originated in Korea, they typically appear in front of a temple and are meant to help ward off evil spirits.

Okinawa being Okinawa though, the traditional stone lion-dogs that guard the shrine have been replaced with the local version, the Shisa (シーサー), or “Shi-Shi” (獅子) in the local Ryukyuan language. The Shisa lions, I guess you could say are a distant cousin of the Komainu and are prevalent throughout the Ryukyuan islands acting as not only the guardians of temples and shrines, but also homes and businesses as well. 

The Shisa first appeared in Okinawa in the 15th Century and in the years since the lion has transformed into an image that symbolises the cultural identity of the people of the Ryukyuan islands and there are many legends in the area that tell of how they arrived.   

Link: Shisa: The Guardian Lions of Okinawa (Kampai) 

Hall of Worship (拜殿)

Shinto Shrines are renowned for their impressive ability to blend in harmoniously with the natural environment around them, which shouldn’t really be all that surprising considering that it is a religion that worships deities related to nature. 

If you weren’t already aware, the Shinto deities, or “kami” are almost always objects found in the natural environment such as animals, birds, rivers, mountains, trees, etc. For outsiders this can be a bit confusing, especially since there are eight million different kami - a number that is synonymous with infinity. 

For the Shinto, the relationship with the natural environment is extremely important given that the earth can bring both blessing and disaster. It is thought that if the kami are worshipped adequately and in a responsible way, then they will bring good fortune to the world. If on the other hand they are disrespected or neglected, they will react violently or bring misfortune. 

Essentially, respect for the environment is one of the main tenets of Shintoism and the construction of these shrines never fails to keep that in mind. With over 80,000 shrines in Japan, Shintoism contributes to society providing ecological sanctuaries that can be enjoyed by all. 

The thing is though, the natural environment in Okinawa is considerably different than what you’ll come across in other parts of the Japan. This means that what you’re going to experience at Naminoue Shrine is going to be a lot different than what you’d see anywhere else in Japan. The shrine of course keeps with tradition and is surrounded by nature, but as it is situated atop a cliff that overlooks a pristine beach, the area around the shrine is covered with palm trees and tropical plants.

The design of the Hall of Worship, or the “Haiden” likewise is unique to Okinawa as it was constructed according to Japanese tradition but designed in a way that pays homage to the Ryukyuan people, especially with with its usage of the colour red and the beautiful red tiled “Aka-Gawara” (沖繩赤瓦) roof that has become synonymous with the architecture found all over Okinawa.

The combination of the three primary colour with the red on the shrine, the green palm trees and the beautiful blue Okinawan sky makes the shrine appealing to the eye and allows it to stand out in the sunlight. 

Link: Ryukyuan Architecture in Zamami: Red Tile Roofs (The Zamami Times)

As you approach the Hall of Worship, the first thing that will stand out to you is the beautiful red roof and pillars mixed with the painted white walls. The closer you get though, the smaller details become much more apparent. 

The first thing you’ll want to take note of are the three plaques placed just below the roof - The middle plaque reads “Naminoue Shrine” (波上宮) while the plaque to its left reads: “Peace reigns over the land” (萬民泰平) and the one on the right reads “National Protector” (國家鎮護). Given Naminoue’s position as the prefectural shrine as well as Okinawa’s unfortunate history, the plaques are quite fitting to the modern Japanese philosophy of non-aggression.

Hung from the lower beam of the gate you’ll notice something known as the “sacred rope” or the “shimenawa” (標縄). The rope is thick and expertly braided and is decorated with “shide” (紙垂), which are beautifully cut paper streamers that are used in Shinto rituals. These sacred ropes are found all over Japan and have many different uses but here at the Shinto shrine it is used to help ward away evil spirits. 

In front of the doors you will find some hanging curtains with a circular logo on each - The crest, known as a “shinmon” (神紋) is the “mitsudomoe” (三ツ巴), which appears to be a comma-like swirl that is commonly associated with Hachimon Shrines (八幡神社) in Japan. 

In Okinawa however the crest was adopted as the emblem of the royal family of the Ryukyuan during the First Sho-Dynasty around seven centuries ago. In Okinawa the crest is known as the “Hidari Gomon” (左御紋) and today you’ll find it not only at Shinto Shrines, but also at Shuri Castle and in most of the imagery that represents the islands. The crest is experiencing something of a resurgence in recent years as it was banned for several decades after the Japanese took control of the Ryukyus. 

Link: 'Hidari Gomon' The Ryukyu Symbol (Budo no Kukyo) 

The crest likewise has deeper connections with Okinawa’s Shinto Shrines as it is thought that the the origin of the design was inspired by the “Yatagarasu” (八咫鳥) or the ‘three-legged crow’, a common image throughout Asia, but is closely associated with Kumano worship. If you visit any of the Kumano Shrines in Japan, you’ll see images of the crow all over the place.

Link: The Legend of Yatagarasu, the three-legged crow and its possible origins (Heritage of Japan)

Most of what you’re going to want to see from the Hall of Worship is on the exterior, but if you’d really like to walk up to the doors to take a peak inside, you’re going to want to follow tradition and first follow a few steps which will impress the locals.

First you’ll want to walk up the steps to the wooden box in front of the main doors. You can drop in a small donation (there’s no set amount), then clap your hands twice to alert the kami of your presence, then with your hands clasped together, bow your head and make a wish. When you’re done, its tradition to bow. From there you can approach the open door and take a peak inside of the shrine room to see whats happening. 

When you look into the interior of the Hall of Worship, you’re going to see a large open room with very little in terms of decoration and tables in the middle where the kami are located.

As I mentioned above, the Shinto Shrines in Okinawa adhere to Kumano Worship, one of the largest denominations (if you will) of the religion. Most of the information you’ll find online does a great job explaining the three UNESCO World Heritage shrines in the area and their history but does a poor job of actually explaining the deities enshrined within. 

Officially, the shrine at Naminoue is dedicated to the ‘Kumano Deities’ but this becomes confusing as you can’t see the actual shrine. From my research, information suggests that the shrine consists of three mirrors which represent ‘Hayatama no kami’, ‘Kotosaka no kami’ and in the middle, the group of ‘Kumano deities’. 

Where this gets confusing is that both of the gods are commonly associated and included within the group of ’Kumano Deities’ that I listed above. In this case, Hayatama no Kami, who is a water god and Kotosaka no kami, a protection deity, are likely given more importance given the importance of the ocean and farming to Okinawa. I’m clearly not an expert on this subject though, so if I’m wrong, please feel free to correct me. 

  • Left -> Hayatama no kami -> 熊野速玉大神 (はやたまのをのみこと)

  • Centre -> Kumano Deities -> 熊野大神 (くまののおおかみ)

  • Right -> Kotosaka no kami -> 事解之男神 (ことさかのをのみこと) 

Naminoue Beach

It is safe to say that If it weren’t for the beach below the shrine, this shrine would never have been built. A sacred space for the local Ryukyuan people for hundreds of years, the high cliff above the beach was the perfect vantage point for people watching ships making port in Naha from all over Asia. 

Today the view of the ocean is blocked by an elevated highway over the beach, which kind of ruins the view, but the bridge does have its advantages as it allows people to take some pretty photos of the shrine sitting beautifully atop the high cliff. 

Most notably for locals however is that Naminoue Beach is the only beach in the capital that is open to the public for recreational activities. The long white sand beach is a popular spot for locals to enjoy the scenery, have a BBQ or a picnic, play volleyball or go for a swim. 

As mentioned above, the view at the beach is obscured by an elevated highway. While this does ruin the view for swimmers, it does provide an excellent opportunity for photos as there is a walking path along the highway where you’ll be able to get some shots of the shrine sitting atop the cliff above the beach.

If this interests you, you’re going to have to walk for about ten minutes to get to the bridge but getting there is fairly straight-forward. From the main gate to the shrine continue walking down Naminoue-dori where you’ll pass by a large driving school. Continue along the sidewalk until you reach the bridge where you’ll make a right turn onto the bridge.

Getting There

Guide Map to Okinawa's Confucius Temples and Naminoue Shrine. www.goteamjosh.com/blog/kumekong www.goteamjosh.com/blog/naminuoe

Naminoue Shrine: #25-11 Wakasa District 1, Naha (沖繩縣那霸市若狹町1丁目25-11)

MAPCODE: 33 185 023

Getting to Naminoue Shrine is quite easy and is even easier if you have access to the internet and Google Maps, given the difficulty of navigating Japanese-style addresses. I’d suggest though that you travel on foot as it will give you the best opportunity to explore as well as saving time and money.

If you’ve rented a car, you’ll definitely be able to find a car park nearby where you can drop off your car and check out the area. The problem with car parks though is that the parking fees are rather expensive and if you plan on checking out the shrine, the beach and the neighbouring Naha Confucius Temple, you’re going to need a bit of time. So, if you’ve got a car, the best thing to do would be to leave it where you’re staying, take the monorail and walk. 

If you choose the latter, you can conveniently take the monorail to either the Prefectural Office Station (縣廳前站) or Miebashi Station (美栄站) and walk from there. I’d personally recommend walking from the Prefectural Office as it is a short walk and doesn’t require making too many turns, making it the easier route to navigate. The routes I’m sharing below might not be the fastest, but they require very little in terms of turning and getting lost in alleys. If you have internet access on your phone, just use your GPS and you’ll arrive in 20 minutes. 

Directions from Prefectural Office Station

From the Monorail Station you’ll exit onto a large road named Onaribashi-dori (御成橋通り) where you’ll walk up the hill in the opposite direction from the Kokusai International Street (國際通). Simply follow that road until you reach the beach where you’ll make a left turn where you’ll quickly find the shrine. 

Directions from Miebashi Station 

From Exit #2 of the Monorail Station make a left turn onto Okiei Street (沖映通り) and then walk straight until you reach the end of the road along the ocean. From there turn left again and follow the coastal path until you reach Naminoue Beach and the Shrine. 

If you’d like to take a bus, the shrine is serviced by Naha City Bus #2, #5, #15 and #45 where you’ll get off at the Nishinjo Stop. To catch any of these buses, simply go to the Prefectural Office Monorail station where you’ll find the bus stops on the road below the station. 

Link: Bus Map Okinawa (Bus Routes / Schedules) 

Tourists..

One of the most noticeable differences you’ll find in Okinawa from the rest of Japan is the absence and concentration of Shinto Shrines - Given the Ryukyu’s unfortunate modern history, it shouldn’t surprise you that there are so few left standing nor should it be surprising that the local people don’t always share a similar love of Japan’s state religion as those on the mainland. The situation with regard to cultural identity in Okinawa is a complicated one and as time passes, it tends to be one that drifts further and further apart from the rest of Japan. 

Nevertheless, the lack of shrines does make the few left standing even more important. So, if you’re planning to visit Okinawa, you can expect that your visit to this shrine to be shared with quite a few locals. 

Nevertheless, the rarity of Shinto Shrines in Okinawa makes the few left standing today important places of worship for those who adhere to the religion as well as for travelers. 

As the highest ranking shrine in Okinawa Prefecture and the largest in the capital city of Naha, Naminoue Shrine has become an important place of worship for locals as well as a major tourist attraction, so if you’re visiting the city, you’ll definitely want to stop by to check it out.